Prologue

The Jean and Alexander Heard Libraries have acquired a collection of rare photographs of, and by, the Rev. James M. Lawson Jr., ’71—a pivotal figure in the history of the civil rights movement and Vanderbilt University. Read More

Confronted by the strangeness of the French language as a first-year student, an alumnus draws solace decades later from what he learned at Vanderbilt Read More

A series of trans-institutional courses designed through the Robert Penn Warren Center for the Humanities is using Vanderbilt’s campus as a living lab, giving students—future historians, architects, archaeologists, curators and engineers among them—unique hands-on experiences. Read More

Multidisciplinary researcher Robert Barsky has added a new approach to his studies on migration with the launch of "Contours Collaborations." The digital journal is sharing stories about borders and border crossings through the lens of art. Read More

Ediciones Vigía, a publishing house in the town of Matanzas, Cuba, began to create handbills and invitations in 1985 for local cultural events. Displayed through March of this year, these works now can be enjoyed again in the online exhibit Found in Cuba: The Ingenuity and Creativity of Ediciones Vigía. Read More

Overcoming daunting challenges is routine for Blake-Anthony Johnson, BMus’12, who in May became CEO of the Chicago Sinfonietta, a pioneering organization in the orchestral world committed to diversity and parity for all. Read More

A selection of recent accolades awarded to faculty and alumni Read More

The Vanderbilt University Fine Arts Gallery has been selected among spring 2020 applicants to receive support from the Samuel H. Kress Foundation for an exhibition of medieval and Renaissance artworks. Read More

A two-year, $17,000 National Endowment of the Arts research grant will support a Vanderbilt analysis of how the characteristics and practices of more than 500 local arts agencies help or hinder their efforts to expand access to the arts in their communities. Read More

Qualitative Data Collection Tools: Design, Development, and Applications, (2020, Sage Publishers) by Felice D. Billups, EdD’91 This unique supplementary text will guide students and new researchers to design, develop, pilot and employ qualitative tools in order to collect qualitative data. Templates of interview protocols, focus group moderator guides, content analysis… Read More

Actress Kirsten Dunst, left, and co-star Théodore Pellerin film a scene for On Becoming a God in Central Florida, a quirky Showtime comedy created by alumnus Robert Funke about a cultish, Amway-like marketing scheme. Courtesy of SHOWTIME On Becoming a God in Central Florida is an oddly academic-sounding title for… Read More

Senior Sarah Clements sings—accompanied by sophomore Calendula Cheng at the keyboards—during the dress rehearsal for January’s concert A Humming Under My Feet. Photo by Joe Howell Many women encounter glass ceilings during their careers. For women composers, those ceilings are seemingly laminated and bulletproof. That’s especially true for women who… Read More

Clara Morera, The Preboste Juan (King Juan), 2017, mixed media on canvas, 72 x 48 inches (courtesy of the artist and Dorfsman Fine Arts, Miami) Artists from the United States, Cuba and Haiti envision social change through reinterpretation of a lost work Visionary Aponte: Art and Black Freedom brings together… Read More

Nothing to See Here (2019, Ecco/HarperCollins), the latest novel by Kevin Wilson, BA’00, explores female friendship, along with the question of how to raise spontaneously combustible twins. In its review, Kirkus says, “One of his greatest strengths is the ability to craft an everyday family drama and inject it… Read More

Sophomores Amber Yun and Jared Schmidt, and junior Joe Pehrson of Vanderbilt University Theatre scream as they perform a scene from Catharsis, by sophomore Natalie Martinez-White, during the August Spotlight Showcase for first-year students. Photo by Anne Rayner During their first week at Vanderbilt, first-year students are met with an… Read More

Chin, shown creating in his workshop, is known for his large-scale art installations. Photo courtesy of the John D. and Catherine T. MacArthur Foundation Visionary artist Mel Chin, BA’75, was named Sept. 25 among the class of 26 MacArthur Fellows for 2019. Given by the John D. and Catherine T. Read More

The opera The Ghosts of Gatsby, by Joshua McGuire, left, andEvan Mack, was staged in October at the Blair School. Photo by David Pike Many of history’s greatest musical collaborators have pursued a creative approach perhaps best described as “you wash, I’ll dry.” Mozart was more than happy to… Read More

Webb—with his dogs, Daisy (as in Buchanan, from The Great Gatsby) and Zelda (as in Fitzgerald)—at Longshore, the Connecticut estate that inspired F. Scott Fitzgerald. Photo by Jim Swaffield As a boy in Westport, Connecticut, Richard Webb, BA’85, was haunted by the ghosts of artists. His affluent waterfront town, about… Read More

Michael Alec Rose, associate professor of composition, had the premiere of his musical drama, Lolly Willowes, based on the novel by Sylvia Townsend Warner, in April at the MATCH–Midtown Arts and Theater Center Houston. In July he was interviewed about the work and his life as a composer by Nashville… Read More

This tall, earth-tone glazed vase is one of Susan DeMay’s classroom demonstration pieces, 17x8x8 inches, completed in stages throughout a semester for an assignment involving numerous objectives for honing pottery wheelwork techniques. Photo by Bill Luton Clay artist Susan DeMay’s retirement exhibit showcases a three-pronged approach to ceramic art From… Read More