Skip to main content

Reimagining a Lost Book

by Feb. 17, 2020, 1:36 PM

Clara Morera, The Preboste Juan (King Juan), 2017, mixed media on canvas, 72 x 48 inches (courtesy of the artist and Dorfsman Fine Arts, Miami)
Clara Morera, The Preboste Juan (King Juan), 2017, mixed media on canvas, 72 x 48 inches (courtesy of the artist and Dorfsman Fine Arts, Miami)

Artists from the United States, Cuba and Haiti envision social change through reinterpretation of a lost work

Visionary Aponte: Art and Black Freedom brings together 20 contemporary artists working across a range of media to interpret an extraordinary—and now lost—historical artifact: a so-called “Book of Paintings” created by José Antonio Aponte, a 19th-century Afro-Cuban revolutionary and artist. Authorities found the “Book of Paintings” in 1812 during the investigation into a major antislavery conspiracy in Havana. During the trial, Aponte was forced to describe his book in detail. Its pages portrayed lush landscapes and biblical stories; Roman goddesses and Spanish kings; black men as warriors, emperors and librarians; Rome and Ethiopia; Havana and the heavens. Shortly after testifying, Aponte was publicly executed, his head severed from his body, and placed on a pike inside a cage in a well-traveled crossroads in the city. Then his “Book of Paintings” disappeared.

Using Aponte’s trial testimony—which is all that is known to remain of the “Book of Paintings”—the artists included in Visionary Aponte have reimagined Aponte’s book for the present day. They experiment with ways to mitigate the violence of the colonial archive and invite the viewer to think about the role of art in envisioning and making social change.

The exhibit is on view at the Vanderbilt Fine Arts Gallery through March 8. A concurrent exhibit of handcrafted books, Found in Cuba: The Ingenuity of Ediciones Vigía Publishing House, is on view in the Jean and Alexander Heard Libraries Special Collections Gallery through March.

VIEW MORE EVENTS >