International Lens
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Listen: International Lens continues free film series this spring
Nashville (1975) Outstanding dramatic and documentary works are free and open to the public through the acclaimed International Lens film series, which has announced its spring line-up of films. Listen to InterVU with Marci Angevine, International Lens co-chair. … Read MoreFeb 6, 2012
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Superlative Celluloid
Click arrow above to listen to an InterVU with International Lens co-chair Marci Angevine about the spring 2012 film schedule. International Lens’ diverse line-up is pure gold for Nashville cinephiles JoEl Levy Logiudice (left) and Sherif Barsoum (Daniel Dubois/Vanderbilt) When Sherif Barsoum came to Vanderbilt in 2007 as… Read MoreFeb 1, 2012
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Vanderbilt international film series includes midnight movies, documentaries
The International Lens series strives to transcend geographic, ethnic, religious, linguistic and political boundaries by promoting conversation and understand through cinema. All the screenings are free and open to the public. Read MoreJan 11, 2011
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Holocaust Lecture Series features music, film, lectures
Music and film will play a strong role in the annual Holocaust Lecture Series at Vanderbilt University, which this year takes the theme of “Different Speaking, Indifferent Listening.” Read MoreOct 6, 2010
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Sixth season of International Lens series begins Aug. 28
This semester’s lineup opens with a crime thriller from Hong Kong, includes a U.S. documentary about the legalities surrounding music sampling and the Oscar-winning The Hurt Locker. The university will also be a host for the International Black Film Festival of Nashville Sept. 29-Oct. 2. Read MoreAug 25, 2010
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Listen: free acclaimed international film series continues at Sarratt
International Lens, which uses film screenings as a forum to promote conversation in the diverse community of Vanderbilt and Nashville, is in its fifth semester on campus. All screenings are free and open to the public. International Lens has been named the best film series in Nashville by Nashville Scene film critic Jim Ridley. Read MoreFeb 22, 2010